Staff Spotlights

This page offers a revolving selection of creative works by our own staff. This curated selection celebrates the creative talents of our team and contributes to the broader community.

We hope you enjoy!  

Embodiment & Identity, 2025

Graphite pencil drawing by Cerys Meredith-Stewart

Artist Statement

This piece aims to showcase a more professional and put-together version of myself, puppeteered by versions I feel represent a truer version of myself. I aimed to show the discomfort of playing the role of a version of oneself that you don’t truly identify with. To put on a show to save how you are perceived is no easy feat, and often detectable. You can tell when someone's personality seems performative, like a different version of themselves hides behind the front, puppeteering this pawn to save themselves from the harshness of unwanted framing. Disconnection of one’s true self versus the role they play to earn respect, and protect themself from labels is a verypeculiar, and often hard to understand phenomenon. You may have appeased the expectations, yet in doing so, shielded your individuality. I may be accepted- but never exceptional.  

Who are we when we dim our boldness to achieve a more comfortable common ground? Is that truly what I wish to aim for, my slight discomfort as the price to pay to be treated like a conforming, presentable individual? That is when we face the hardest realization of all; There is no choice in what we perceive, but instead in how we choose to interpret it. 

Limbs

Prose poetry by Ari Contreras

Seconds are slit in half by my arms, calling out to something bigger, like they’re 

trying to hold the ends of the world and tame me back into one being. My extremities stretch beyond me, whimpering because it burns them to solidify back into one. How does one compartmentalize their psyche? The past is never meant to be condensed. 

That’s far too cruel, too surreal. Who are we if not the variant of many selves before us? 

How do we dismiss the bearing of our history? Our thoughts have arms who breach and legs that sprint. When we subjugate our identity, when we relax the fabric of idiosyncrasy tailoring us, what becomes of each? Of that ignorance that spilled out of us like a freshwater fountain during our youth? How do we quench the firing passion we once housed? 

When we surrender to comply with the course of time, detaching the past from 

ourselves, from those selves who’ve funded this you, the sacrifice is expansion. I feel exonerated from a fluid transcendence, from an innate choice to grow within with every season that frosts over my present reason and quakes for it to change. I yearn to mature into a space of my own making, to swell up until the ceiling of the earth erupts. That’s when I’ll know I’ve metamorphosized into everything I had to. 

“Supernumerous existence wells up in my heart”- Rainer Maria Rilke in “Ninth Elegy”

Mercenary Machinery, 2026

Collage by Audrey Stepp

Artist Statement

In this collage, I use the concept of emphasis to explore growing up in the age of technology. The central focus of the collage is a photo of me taken outside at my grandmother’s house; I wanted this to greatly contrastthe circuitry and wires surrounding me and convey the message that childhood has been stolen by unrestricted internet access. From magazine clippings, I picked out images of older technology such as flip phones or clunky keyboards to display how violent the shift in technological advancement has been on children from my generation. Towards the bottom of the collage I included the image of a church and overlayed clippings of technology to show how innocence and mortality have been overtaken by our desire for quick dopamine and monetary earnings. The lyrics in the collage, from the song Nobody Puts Baby in the Corner by Fall Out Boy, are words that have always spoken to me but took on a new meaning when met with the concept for my collage. In the work, they become a way to display the feelings of suffocation that can occur with how much technology has been implemented into our lives. Lastly, the inclusion of the magazine clippings, “Unlearn This Hatred,” was used as a device to communicate the way that hatred and negativity are rapidly spread via social media and technology. By unlearning this hatred, we can reconnect with the natural world and define who we are.  

Clean-Catch Cantata

Poetry by Evey Wright

I gave a woman

my piss today

My piss!

My piss!

My piss!

Into the smallest cup

So of course

I peed on the side

The side!

The side!

But I tried to wipe it

And still felt bad

Because the nurse was so nice

So nice!

She looked at my cup

Said: yes that’s enough

And disappeared into

The hall